Untitled


Rebecca made this for our wedding. It sat on top of our cake. Beside it is a companion cube, a gift from me not long after that. Elsewhere are various artifacts and evidence of our relationship over the past 15 years: dancing at a friend’s wedding, visits to Portland, sailing with kids. What an incredible journey it’s been.

Catches me by surprise sometimes.


Still Going


Rebecca and me debating whether to go to the [OL Reign](https://www.olreign.com/) game downtown today. The big oval is [Lumen Field](https://www.lumenfield.com/events-tickets/ol-reign), the squiggly line on the right is Elliott Bay, the box with the × is where our seats are, and the wadded-up napkin in the “sky” that Rebecca’s holding is my rough guess as to where the sun will be when the game *starts* this afternoon.

Translation: [We’re gonna be *hot*](https://darksky.net/details/47.6038,-122.3308/2022-8-7/us12/en).

## Update

Looks like I [wasn’t too far off](https://cnunciato-dropshare.s3.amazonaws.com/pb-I9t4LGIFpe.png).


A friend once told me — or rather announced to a bunch of people we happened to be standing around at the time in line for a roller coaster in Southern California — that I didn’t have enough “stick-to-it-ness” to be a writer.

It was one of those out-of-nowhere comments that kind of hit you from the side, like an unprovoked smack — and it was odder still since by then I’d already been *working* as a writer for a handful of years.

But it was also true that this person wasn’t exactly wrong. Yes, I’d been writing professionally since college (tech writing mostly, with some freelancing for the [local weekly](https://www.ocweekly.com/) on the side), and it was also true that writing was in fact paying my bills (if barely so). But it was also true that I hadn’t chosen the writing program at [UC Irvine](https://uci.edu) out of a desperate need to write the Great American User Guide. What I wanted back then, or so I thought, was to write short stories and screenplays, and eventually maybe make a little movie of my own. I certainly *liked* technical writing, probably more than I cared to admit, but technical writing was definitely a means to an end — a practical solution to the problem of making a living stringing words together. To get by, I figured I’d work my day job, slinging docs like everyone else, then come home at night and work on the stuff I really cared about.

The problem, however, as any full-time-working human will tell you, was that by the time I got home, I was legitimately beat; the last thing I wanted to do after staring at a screen all day writing about network-attached storage was come home and stare at another screen trying to write fiction that, if I was honest, I wasn’t exactly sure I cared about as much as a fiction writer probably should. So day after day, moving through life as it happened, I just kept on *not writing*, promising myself I’d try harder tomorrow.

And I did, from time to time — but it never really went anywhere. Tech writing led pretty quickly to programming (I was immediately fascinated by creative potential of the web), and the demands of becoming a programmer — self-teaching, job hunting, several years working in startups and then venturing off on my own — ate up just about all of my time and mental energy and left me even more exhausted than tech writing or journalism ever had. Somehow I managed to do a lot with the next two decades — went to grad school, studied film theory (also fascinating) and made a few really bad, really fun movies of my own, got married, moved to Seattle, built a life in the Pacific Northwest \[^1] and brought three more humans into the world whose delightful (if occasionally challenging) company I get to enjoy working from home every day — but writing, for the most part, never really found its way back to the central place it once held.

But the thing is, it was never a stick-to-it-ness problem, and it was never that I was *too tired*. It was interest. My brain was simply more interested in messing around with *other stuff* than it was in writing fiction. If I’d cared about writing fiction as much as I cared about programming and the web, I’d have written fiction until I fell out of my chair. I just didn’t.

But the urge to write *something* has definitely never left me. The mind I have now may be different from the mind I had in college, but it still wants to write, and it still wants to make movies — just not the same kinds of writing and movies it did back then. These days, I’m much more interested in finding things out, figuring out what I think about those things and explaining them, being a good dad and teacher (the hardest things ever), and just trying to capture the beauty and interestingness of the world around me as best I can.

So expect me to start showing up here a little more often as I work to try to figure out what that means in terms of writing. I’ve got [one book going already](https://thepulumibook.com/) — not so much a “means to an end” after all — so that’s one thing, and I’m sure there’ll be more — though about what, I’ve no idea. Time will tell, though. It always does.

\[^1]: … which I love — though I do still miss California pretty terribly sometimes.


The obligatory post about vowing to write more posts


Dusting off the cobwebs


Imperatively Declarative


This past weekend, I did a [Twitch session for Manning](https://twitch.tv/manningpublications) in which I built a little serverless app with [Pulumi](https://pulumi.com) and [Mapbox](https://mapbox.com) and deployed it on [Amazon Web Services](https://aws.amazon.com). It was the first time I’d ever done such a thing — I’ve done many demos, but never a public live-coding session — and surprisingly (to me, at least), I actually enjoyed it. In a little over an hour, I wrote an app with Pulumi and TypeScript that renders GPS-tagged photos on a map with AWS [S3](https://docs.aws.amazon.com/s3/), [Lambda](https://docs.aws.amazon.com/lambda/), [DynamoDB](https://docs.aws.amazon.com/dynamodb/) and [API Gateway](https://docs.aws.amazon.com/apigateway/), and aside from a few little bumps, and my crazy-long COVID hair, everything worked out pretty well.

The hardest part was definitely setting up [OBS Studio](https://obsproject.com/), but now that that’s done, I plan to start doing more of these, as they’re (a) fun and (b) probably the best way to demonstrate how Pulumi really works and what makes it so awesome.

You’ll find the [full recording here](https://www.twitch.tv/videos/793943710), and the annotated code of the finished product’s [up on GitHub](https://github.com/cnunciato/photomap). Enjoy!


Live Coding with Pulumi, Mapbox, and Leaflet


Good news, friends! I’m writing a book.

In *Pulumi in Action*, I’ll be writing about how to use [Pulumi](https://pulumi.com), the open-source project I work on full time, to build cloud applications and infrastructure with [TypeScript](https://www.typescriptlang.org/) and [Amazon Web Services](https://aws.amazon.com/). I’m incredibly excited about this book — it’s my first — so I’m writing this post as a public expression of that excitement. (My wife often says I don’t often emote as much as I should, so I’m attaching an appropriately celebratory emoji as well, lest we be left with any lingering doubt. 🎉)

As of now, I’ve only written the [first few chapters](https://livebook.manning.com/book/pulumi-in-action), but since the book is the first ever focused on Pulumi, [Manning](https://manning.com) (the publisher) wanted to release it as a work-in-progress through [MEAP](https://www.manning.com/meap-program), its early-access program. Thanks to them, you can both read and purchase — or if you like, read and *not* purchase — the book today, and as new chapters roll out, at around once a month, you’ll get access to them immediately, in all of the finest digital formats of the day. It’ll cover a lot of surface area — infrastructure as code, Pulumi itself, cloud-native software development and delivery patterns, and more — and is generally aimed at helping full-stack developers get a solid foothold into the cloud. You can read the first chapter for free [on manning.com](https://www.manning.com/books/pulumi-in-action?a_aid=chris\&a_bid=20ca8d8a) today, and browse all of the examples [on GitHub](https://github.com/pulumi-in-action). The print version is scheduled to ship sometime early next year, and should come in at around 300 pages.

So that’s it — that’s the post. I *had* written around two thousand words recounting the tale of how it was that I, a mere web developer, came to write a book about [infrastructure-as-code](https://en.wikipedia.org/wiki/Infrastructure_as_code), but my wife, upon reading those words, declared that most of them were unnecessary: what mattered, she pointed out, was what was *in* the book. So I’ll save the full backstory for the eventual preface, and for now, leave you with this: if you’re a full-stack developer, you should check out [Pulumi](https://pulumi.com), and when you’re ready to learn more, [I’ll be here](https://www.manning.com/books/pulumi-in-action?a_aid=chris\&a_bid=20ca8d8a).

> **Update**: I’m still writing a book — just not *this* book. After the better part of a year, I decided to part ways with Manning — long (and rather odd) story — and [publish the book on my own](https://leanpub.com/pulumi). You’ll find the *new* (and still in-progress!) book on Leanpub. [Check it out](https://leanpub.com/pulumi)!


Pulumi in Action is available now in early access.


I’m writing a book!


I’ve been a user of [Adobe Lightroom](https://www.adobe.com/products/photoshop-lightroom.html) for several years now, and I’ve generally been happy with it. While I’ve never been in love with the Lightroom interface — it works, but design-wise it’s a bit on the clunky side, and dated, and it often performs sluggishy even on my newish Macbook Pro — but it’s generally gotten the job done, and there aren’t, even in 2018, many photo-management apps that can handle tens of thousands of photos and videos.

I’m not the only one in my house who takes pictures anymore, either. My wife is a great photographer herself (she has a much better eye than I do, actually), and my kids are starting to get into it, too. So managing everyone’s photos, and making sure we all have access to them, has been a serious challenge for me over the years. I’ve thrown together many an awful hack, some involving external drives, some shared network drives, synchronization schemes, DropBox (nope), even dedicated computers, but nothing ever seemed to work, mainly because Lightroom operates as a window onto your filesystem: you can do just about anything you want with it, but your pictures have to be *on your computer* (or on a drive connected to it), which makes sharing your library with your scrapbooking wife an invariably awkward and frustrating process.

So when Adobe announced Lightroom CC, a cloud-based approach and ground-up rewrite of what’s now called Lightroom Classic, I was excited: it looked like we might finally be able to keep all of our photos (and videos!) in the Adobe cloud, and share them all easily between our Macs and our iPhones. I downloaded the app, fired it up, chose Migrate Lightroom Catalog, pointed it at my `.lrcat`, and let it run.

![](/media/images/migrate-catalog.jpg)

The import took a while, and when that was done, it took another couple of weeks to get everything uploaded and synchronized. But the result was *glorious*: not only was my entire library available on my laptop, but it was also synced magically to my phone, to the Lightroom website, and *to my wife’s laptop and phone*, too — I was thrilled. And since the Lightroom CC mobile app lets you choose to have all of your photos uploaded automatically, whatever my wife happened to shoot with her iPhone would show up moments later on my desktop, and vice-versa. As a software engineer who understands the complexity of this problem, I was (and remain) thoroughly impressed with Lightroom CC. It’s not perfect, and it’s certainly not free, but it’s *by far* the most sophisticated and complete solution out there today.

There was one little problem, though.

When the migration from Classic to CC had finished, I noticed a number of my pictures (some 9,500 of them, in fact) had been dropped into a bucket labeled **No Date** — which was odd, considering that hadn’t been the case in Lightroom Classic, and irritating, given how date-oriented I am in my photography. (A bit of Googling led me to realize this is a [fairly common problem](https://forums.adobe.com/thread/2438359).) The only remedy seemed to be tweaking the Capture Date manually, one photo at a time, using the controls in the UI — which would’ve been fine, if there were only a few, but with close to ten thousand of them, I’d be at it for the better part of a week fixing them up, which seemed insane. There had to be a better way.

![](/media/images/lightroom-edit-date.jpg)

One of the nifty things about Lightroom Classic is that it uses a [SQLite](https://www.sqlite.org/index.html) database to store everything about your photos, including their dates, which means, if you’re a geek like me (I *love* SQLite), you can get in there and run queries to fix these kinds of problems on your own. Lightroom CC *appears* to use SQLite also, but even if I could update its database manually (the schema is completely different), a number of the photos in the dateless batch really did seem to lack one or more [EXIF](https://en.wikipedia.org/wiki/Exif) dates; the right thing to do would be to update the files themselves and set their date fields properly.

So I came up with a plan, and with a little trial and error, it worked.  Here’s what I did:

1.  First, I exported all of the photos in the **No Date** bucket into a folder on my desktop called `Exports`. The important thing here wasn’t the photos themselves, but their filenames. You’ll see why next.

2.  Then I wrote a little program to locate each of those files, using their filenames, in their original (i.e., Lightroom Classic-managed) locations, which for me happened to be on an external drive. The program would copy them into another folder on my desktop called `Originals`, leaving me with two folders, side-by-side: one called `Exports`, the other called `Originals`.

3.  After checking to make sure the number of originals matched the number of exports — meaning I had an original for every No Date export — I deleted the contents of the No Date bucket in Lightroom CC.

4.  Then I ran another program called `exiftool` on each file in the `Originals` folder, setting its EXIF capture date using the original file’s creation date. This might not work for everyone, but given my workflow, it happened to be a safe bet that the creation date would be pretty close to the actual capture date, so I went with it.

5.  Finally, with all of my `Original`s now properly dated, I imported them into Lightroom CC.

That was it — no more No Dates!

I’ll run through the steps in detail below, in case you happen to find yourself in this predicament, too. You’ll have to do a little [Bash](https://www.gnu.org/software/bash/) scripting to make this work, so I’m assuming you’re on a Mac (apologies to Windows users) and that you’re relatively comfortable on the command line.

Okay! Let’s make this work.

***

## Step 1: Create Two Folders on Your Desktop

Pretty straightforward. Again, I named mine `Exports` and `Originals`.

## Step 2: Export Your Dateless Photos

In Lightroom CC, click **By Date**, then scroll to the **No Date** folder and click it. Choose Edit » Select All, then File » Save To, then browse to your `Exports` folder and click Choose. Let the process finish — it’ll probably take a few minutes.

## Step 3: Find Your Originals

Open a Terminal and make a new file on your desktop called `find-originals.sh` and make it executable:

```shell
$ cd ~/Desktop
$ touch find-originals.sh
$ chmod +x find-originals.sh
```

Then copy the following script into that file and save it:

```bash
for f in $1/*; do
  exported="$(basename $f)"

  # Locate the original
  original="$(find $2 -name ${exported})"

  # If the original isn't found, log it and continue;
  # otherwise, copy it over
  if [ -z "$original" ]; then
    echo "Could not find a match for $exported"
  else
    echo "Found a match for $exported -- copying"
    cp -vf "$original" $3/
  fi
done
```

The script accepts three arguments:

*   the path to your `Exports` folder
*   the path to your Lightroom Classic originals
*   the path to your `Originals` folder

As I mentioned, I had exported my **No Date** files into a folder on my desktop called `Exports`. My originals were located on an external drive called `Elements`, and the empty destination folder, `Originals`, was on my desktop alongside `Exports`. So the command I ran was:

```shell
$ ./find-originals.sh \
    /Users/cnunciato/Desktop/Exports \
    /Volumes/Elements/Media/Lightroom \
    /Users/cnunciato/Desktop/Originals
```

When that finally finished, I had about 9,500 files in `Originals`, which matched the number of images in the **No Date** bucket in Lightroom CC. I could now safely delete the bad ones.

Feel free to comment out the actual `cp` statement at first, just to make sure you’ve wired things up correctly. When you’re ready, run it for real. (We’re just copying, here, so don’t worry — all you have to lose is a little time and disk space, temporarily.)

## Step 4: Kill All No-Dates

You can do it! After all, you still have your Lightroom Classic originals — and now copies of them, even — and you’ve verified the number of files in `Originals` matches the count of your **No Date**s in Lightroom CC. So go on — select all, Edit » Delete, and get ‘em outta there.

Well done.

## Step 6: Write Out Some EXIF Dates

As I said, I was sure a good number of my photos really didn’t have EXIF dates (over a thousand of them were from an old Samsung flip-phone), and I wanted to fix that problem properly by modifying the files themselves, rather than just their Lightroom metadata.

![](/media/images/me/flip-phone-selfie.jpg)

There’s an [amazing little command-line app](https://sno.phy.queensu.ca/~phil/exiftool/) called `exiftool` that’ll both tell you which files are lacking certain EXIF fields (e.g., dates) and also let you set their values, either “in place” (meaning on the source file itself) or, if you’re a little paranoid like me, on a copy of the file, preserving your original.

So I did this in two steps: first, I ran `exiftool` to find out how many dateless photos I had, and then I ran it for real to copy each file and burn a capture date into it. (I shoot a lot of video, too, and `exiftool` handles video formats, also — even the obscure ones from the early 2000s! It’s really great stuff.)

So assuming you’ve still got that same Terminal open on your desktop, run `exiftool` on your `Originals` folder to get a count of how many dateless images you’re dealing with:

```shell
$ exiftool -createdate -if 'not $datetimeoriginal or ($datetimeoriginal eq "0000:00:00 00:00:00")' ./Originals
```

This command asks `exiftool` to tell you which of the files in `./Originals` is missing a `datetimeoriginal` value, which is what Lightroom considers a capture date. When you run it, you’ll get some output for each file, along with an aggregate result at the end. If, for example, I’d had three files in my `Originals` folder, two with dates and one without, my output might’ve looked something like this:

```shell
$ exiftool -createdate -if 'not $datetimeoriginal or ($datetimeoriginal eq "0000:00:00 00:00:00")' ./Originals
======== ./Originals/IMG_2949.PNG
    1 directories scanned
    2 files failed condition
    1 image files read
```

Personally I find this output a little inscrutable, but I believe what it means is that two of those files *have dates* (i.e., they failed the `-if` condition of `not $datetimeoriginal`). If instead we’d gotten something like this:

```shell
1 directories scanned
3 files failed condition
0 image files read
```

… then we’d be done, as `exiftool` would be telling us that all of our files actually *have* capture dates. In my case, though, I had around 3,000 without them, so I decided to go ahead and update them all.

To do that yourself, run:

```shell
exiftool -P -O ./Output/ '-datetimeoriginal<filemodifydate' -if '(not $datetimeoriginal or ($datetimeoriginal eq "0000:00:00 00:00:00"))' .
```

This is essentially the same command you ran above, but with some additional options instructing `exiftool` to *do some stuff:*

*   `-P` means “preserve my originals”
*   `-O ./Output/` means “put the modified copies into the `./Output/` directory”
*   `'-datetimeoriginal<filemodifydate'` means “set the capture date using the date the file was last modified” (which for me was also the date it was created)

If you’d like to use a different algorithm for setting your own EXIF capture dates (or even just learn more about what this awesome little program can do for you), [check out the `exiftool` docs](https://www.sno.phy.queensu.ca/~phil/exiftool/exiftool_pod.html).

Once this was finished — it ran surprisingly quickly, considering how many photos I was processing — I imported a few into Lightroom CC just to make sure things looked right. When they did, I imported them all.

## Step 7: Re-Import!

The hard part’s done. Now, just choose File » Add Photos, browse to your newly populated `Output` folder, and click Review for Import. If things look good, click that shiny Add Photos button, then sit back and watch the magic happen.

## Step 8: Celebrate

Well done! With any luck, once Step 7 completes, that **No Date** folder should be a thing of the past. If that’s the case, go ahead and delete everything we created from your Desktop. You’re done.

![Cheers.](s3/images/20140622-14-56-18-4.jpg)

***

I’m sure I’ll write more about Lightroom in general; while I’m definitely a CC convert now, I still use Classic to manage my kids’ catalogs (they each have their own — they shoot way too many pictures of absolutely nothing), and the CC software is continually evolving, which is awesome (and yes, occasionally frustrating). Nothing is perfect, but man, I have to say — on the whole, glitches and all, I’m still really impressed, and stoked that we’ve finally found system that works pretty much seamlessly for us.


How I managed to migrate from Lightroom to Lightroom CC


Bad Dates


First post! Exciting, right?

It’s really more like my five-thousandth, if you count everything I’ve stuffed into various micro- and regular-sized websites over the years (so many, and nearly all lost to history, alas), but that probably only matters to me, anyway. You’re here because — well, I’m not sure why you’re here. But I’m glad you are nonetheless.

I don’t have much to share yet, but I will. For now, I’ll just say thanks for stopping by, and encourage you to return: I plan to take lots of pictures, make lots of little movies, and write virtual reams (reams, I say!) of words, some of which you might actually enjoy, if we’re lucky.

In the meantime, here’s a snapshot from a hike we went on recently, at the beautiful [Redmond Watershed Preserve](https://www.wta.org/go-hiking/hikes/redmond-watershed-preserve).

![A mossy fern.](/media/images/mossyfern.jpg)

Have a lovely day, and do come back soon, won’t you.


Redmond Watershed Preserve

Hello Again, World!


This past weekend, I started homebrewing a Belgian [dubbel](https://en.wikipedia.org/wiki/Dubbel) — my first ever — and I was surprised at how quickly the fermentation got going, compared to the lazy sputtering I’m used to getting from typical IPAs. This is what it sounded like yesterday afternoon, after one of my trusty plastic stock bubblers got clogged with foam and I had to emergency-rig the fermenter with a makeshift [blowoff tube](https://beerandbrewing.com/when-to-use-a-blow-off-tube/) with a stopper I managed to find just in time. The bubbling ran steadily like this late into the night before calming down again this morning.

Fun times. I’m actually pretty excited about this one. 🍺


What it sounds like when the fermentation really gets going


Episode II: The Bubbling


This is what it sounded like in my backyard outside this morning.


Spring Is Coming


It was coming down pretty hard this morning, so I figured I’d switch on the recorder and let it run for a while, as I sat with a coffee and a book and 3/4 of my fellow Nunciatos — one of whom noted (rather brilliantly, IMHO), “It seems like when the rain starts, time stops.”


Twenty minutes of Northwest downpour, straight from my backyard.


Morning Rain


Snipperclips

Doodle-oodle-oo


With sincerest apologies to Mr. Williams.


The jagged, uncomfortable sound of learning a new tune.


Practice


Overheard this little guy out back this morning, doing his morning thing.


Woodpecker!


Toward the end of our first on day Kauai, we managed to find [The Fresh Shave](https://www.yelp.com/biz/the-fresh-shave-kalaheo-8), a little trailer parked in a patch of gravel alongside Highway 530 in [Kalaheo](https://www.google.com/maps/place/Kalaheo,+HI+96741/@22.0426634,-159.5858023,12.05z/data=!4m5!3m4!1s0x7c070456fd3d5f5d:0xdb44269b0af6136!8m2!3d21.9286111!4d-159.5302778) that we’d read about in [*Lonely Planet Kauai*](https://shop.lonelyplanet.com/products/kauai-travel-guide-3). It’s run by a family [from California](http://www.thegardenisland.com/2017/01/04/business/local-business-expanding-to-california/), so depending on what you’re looking for, it might not quite bring the island-native vibe (tending a little to the Northwest-hipstery side, with the vintage trailer and sticker-mustaches), but hey — it’s amazing stuff nonetheless: made with all local and organic fruits and ingredients, an excellent treat after a day at the beach.



![](https://s3.amazonaws.com/cnunciato-website-media/images/2018-05-29-16-07-09.jpg)

![](https://s3.amazonaws.com/cnunciato-website-media/images/2018-05-29-16-06-08.jpg)

At six bucks a pop, though, Rebecca and I chose to forgo ordering for ourselves, so as you listen to this, and gaze at these photos (or worse, scroll through [Fresh Shave on Instagram](https://www.instagram.com/thefreshshave/)), just imagine what it felt like for us, watching them dive into these with such glee, and feel our pain. Parenthood, man — it’s all about the sacrifices.

And if you do make it to Kauai and go looking for shave ice, I should mention [Loco Coco](https://www.yelp.com/biz/loco-coco-shave-ice-koloa-2), too: it’s also a little trailer in a parking lot, this one just outside [Kukuila Market](https://www.yelp.com/biz/kukuiula-market-koloa-2) (a lovely little family-run grocer in [Koloa](https://www.google.com/maps/place/Koloa,+HI+96756/@21.9022894,-159.483178,14z/data=!3m1!4b1!4m5!3m4!1s0x7c071b22d045fdc9:0x3452c3c675d8981c!8m2!3d21.9066667!4d-159.4691667) that kept us all well fed — and [well-beered](https://konabrewingco.com/our-beers/) — for the majority of our trip), and was easily as good, if not [*mo bettah*](http://bigislandvacation.com/Da_Kine_Pidgin.html).

And if you find yourself *there* — or for that matter, even if you don’t — you absolutely *must* pick up a poke bowl from [Makai Sushi](https://www.yelp.com/biz/makai-sushi-koloa), which is probably the best food I’ve ever had in my entire life. But now I’m seriously digressing.

Anyway, on to the soothing sounds of childhood ice-treat consumption.

In case you were wondering what that sounded like.


The Fresh Shave

What Shave Ice Is

LocoCoco

Kukuila Market

What Poke Is

Makai Sushi

Makai on Yelp

Kids Eating Shave Ice


I still brew beer from time to time — although it’s been a while; I should walk over to the homebrew shop and pick up some supplies — and there’s nothing like that moment when you pop your first bottle after that painfully long wait for the second fermentation. This is what it sounds like when it goes well.


The delightful sound of a beer that is ready.


Popping a Homebrew


No humans were injured in the making of this film; my son just thought it’d be *hilarious* to knock the phone out of my hand while I was shooting. Eyeroll emoji.


My absolute favorite thing about camping is making coffee in the morning with the [JetBoil](https://jetboilnz.co.nz/) and the [Aeropress](https://aeropress.com/). Can’t beat it.


We spotted this little fella on a walk this weekend.


Pyrrharctia isabella (isabella tiget moth)

Hey There


We took the kids to the [Tubing Park at Snoqualmie](https://summitatsnoqualmie.com/snow-tubing) this weekend and had a blast. I went up six or seven times and on the last run, managed to work up the courage to go downhill in selfie mode. Toward the end of the run, my tube hopped over the dividing line and into the next lane, leading to speed loss and subsequent whining. Still, it was definitely a fun way to spend a Saturday morning. And it only took us 12 years to discover it!


Snoqualmie Summit Tubing Park

Tubing!


A quick ride on the conveyor belt leading to the top of the hill at the Snoqualmie tubing park. Pretty much just an excuse for a time lapse, so there you go.


Conveying, Briskly


This is project #1 from [Rubber Band Engineer](https://www.barnesandnoble.com/w/rubber-band-engineer-lance-akiyama/1122639559), picked up last week from our local [Third Place Books](https://www.thirdplacebooks.com/). Tons of fun stuff in this book. Looking forward to many more slo-mos.


Rubber-Band Launcher!


[Tinker Crates](https://www.kiwico.com/tinker) are cool.


Blastoff


Liftoff


Sam got an electronics book for Christmas, so we built him a kit and started working through the projects one by one, first on a small electromagnet, and here, on a magnetically driven motor. So much fun! Took some effort to get everything weighted and balanced properly, but the struggle was definitely worth it.


We made a thing!


Playfoam Pluffle

Balloon Man


A Successful Launch


Busy Bee


Now there’s something you don’t see every day


Go, Littleman!


A few seconds from our first outing of the season.


Out on Elliott Bay


Kids and I had more than a little fun making this one today. Hooray for weekend boredom.

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Wherein Malfoy attempts to exact his revenge, in the manner of a certain ‘90s-era Canadian sketch-comedy show


The Kids in the Hall

Fun Thing #1


We had some time to kill before heading to the airport, so we went to the park, and the kids challenged me to a game of tag. Fools.


Can’t Catch Me


When I set out to build this site, I had just a few modest goals: I wanted to be able to share my [photos](/photos/) and [videos](/videos/), post the occasional [sound clip](/sounds/), gather things into [collections](/collections/), keep track of what I’m reading and watching, and share a little [writing](/words/) from time to time. I figured it’d be easy — after all, I’m a software engineer, it’s 2018, there’s open-source software all over the place, and I’ve been building web apps for close to 20 years now. How hard could it be?

Definitely way harder than I imagined, for sure — mainly because of how *huge* these photo and video files can be. Coming up with a workflow that didn’t require a full afternoon just to post a few snapshots or clips wasn’t easy, but I did it, so I thought I’d make a little video about it.

Please enjoy.

Incidentally, I haven’t yet open-sourced all of this stuff, but there’s really no reason not to, so check back here (or [keep an eye on my GitHubs](https://github.com/cnunciato)) for updates on that front.


Hugo

Lightroom

ExifTool

FFmpeg

Stencil.js

Habitat

How I Do This


There’s a fountain outside a nearby coffee shop where the kids like to play. I’m not exactly sure where her imagination had taken her on this particular evening (come to think of it, I never am), but the result was pretty hilarious — and also a little terrifying.


Hello, I'm Christian Nunciato. 👋

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